Sensation

Through blue summer nights I will pass along paths,
Pricked by wheat, trampling short grass:
Dreaming, I will feel coolness underfoot,
Will let breezes bathe my bare head.

Not a word, not a thought:
Boundless love will surge through my soul,
And I will wander far away, a vagabond
In Nature - as happily as with a woman.

- Arthur Rimbaud

Christian Kindschy - Hallelujahs Whispered

Galahad

Romance Sonambulo

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsty dark brown roses.
Your blood oozes and flees
around the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.

Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.

Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken "Guardias Civiles"
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.

- Federico Garcia Lorca

Not for Chopin

Don’t put off your shower anymore
listening to Chopin.
Take the Preludes personally;
he’s telling you that he can describe a progression
that you yourself have been unable to see,
shapely, broad light at one-thirty,
evening travelling up a road,
an overcast day as gentle bones.
Don’t remember the music;
remember it as something obvious
that you are compelled, doomed, to obscure
and complicate. You erase it twice.
The first time
as you listened, unable
to have it,
the second time
as you were unable
to remember it.
Angry with Chopin,
what does he know?
The components of your dinner are waiting for you downstairs.
The golden evening takes flat, slow turns outside.
Become gray.
Listen to him describe what you would be like
if you were blind, sitting in a chair, at a wake, the days short, that there might
be nothing
else, night,
content, unable, unwishing, to recall desire, or sight.

-Arda Collins

The House Was Quiet and the World Was Calm

The house was quiet and the world was calm.
The reader became the book; and summer night
Was like the conscious being of the book.
The house was quiet and the world was calm.
The words were spoken as if there was no book,
Except that the reader leaned above the page,
Wanted to lean, wanted much most to be
The scholar to whom the book is true, to whom
The summer night is like a perfection of thought.
The house was quiet because it had to be.
The quiet was part of the meaning, part of the mind:
The access of perfection to the page.
And the world was calm. The truth in a calm world,
In which there is no other meaning, itself
Is calm, itself is summer and night, itself
Is the reader leaning late and reading there.

- Wallace Stevens

Incident

I look across the table and think
(fiery with love)
Ask me, go on, ask me
to do something impossible,
something freakishly useless,
something unimaginable and inimitable

Like making a finger break into blossom
or walking for half an hour in twenty minutes
or remembering tomorrow.

I will you to ask it.
But all you say is
Will you give me a cigarette?
And I smile and,
returning to the marvelous world
of possibility
I give you one
with a hand that trembles
with a human trembling.

- Norman MacCaig